Film Editor

EIFF 2018: Loveling

Growing up is the long and upsetting process of abandoning your parents. This abandonment comes in at least two guises: the change of your personality as you become an adult; or the more literal...

EIFF 2018: Cold War

Cold War, Paweł Pawlikowski’s new film, begins in 1949: Wiktor (Tomasz Kot), a musician and composer, and producer Irena (Agata Kulesza) search through the Polish countryside for the sound of...

EIFF 2018: Incredibles 2

Incredibles 2 begins in such a way as to make the fourteen year wait for it redundant: the movie kicks off exactly where The Incredibles (2004) finished. Having bested Syndrome and begun to acclimate...

Zama

Zama​, Lucrecia Martel’s dreamlike and absurd new picture (her last was 2008’s elliptical ​The Headless Woman​), is adapted from Antonio di Benedetto’s novel of the same name. It’s the...

Let The Sunshine In

There are moments in filmgoing when you know unmistakably that something is nestling its way into your personal pantheon: this is how I feel about Juliette Binoche’s performance in Let The...

120 BPM

120 BPM is a film full of life, in all of its glories and despondencies. It follows the progress of the Paris chapter of the HIV/AIDS activist group ACT UP during the 1990s. The protests that the...

Unsane

Sawyer Valentini (Claire Foy) is being obsessively stalked by David Strine (Joshua Leonard). She files a restraining order, and relocates from Boston to Pennsylvania. She starts a new job as a data...