In a week when Twilight fans will flock to the multiplex and swoon over pretty boys, Snowtown could not provide more of a contrast. Based on the real-life ‘Bodies in Barrels’ murders that took place between 1992 and 1999 in South Australia, this film is an unflinching examination of how a young man became a serial killer. With this in mind, it comes as no surprise that the film is not an easy watch. Snowtown is far from the realm of slasher-flicks such as Saw and Hostel, but there are several gut-wrenchingly graphic moments. This is not, however, what the story is really about.

Jamie (Lucas Pittaway) is a sixteen year old boy living in the poverty-stricken suburbs of Adelaide with his two younger brothers and a struggling single mum. When John (Daniel Henshall), a man who seems to make his mother happy comes into their lives, Jamie warms to this charismatic father figure. In turn, John wants to take the boy under his wing and guide him through life as a mentor. Unfortunately, it becomes increasingly clear to Jamie that the kind-faced John has a more violent, dangerous side. Over time, Jamie becomes entangled in a web of fraud, malice and murder until he can hardly recognise what he has become.

Whilst the controversial subject matter obviously makes for a less than enjoyable viewing experience, this film is undeniably flawless. The acting is impeccable, its grim naturalism absolutely engrossing. It is a truly unsettling story of manipulation and loneliness, of a boy’s desperation for some kind of meaning and affection - even if that affection is coming from a sadistic murderer. It’s incredibly well-made, with a shrewd sense of detail and atmosphere. Its understated, stark style is chilling, and ensures that the story will stay with you after you head back out into daylight. Snowtown raises serious questions about poverty, sexual abuse, and the line between good and evil; it is all too easy to look away, but try not to.