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Shanah Tovah Umetukah: Happy Jewish New Year!

Rosh Hashanah is a two-day observance celebrating the first and second days of the Jewish New Year. Monday 30 September 2019 signifies the first day of the year 5780 on…

Everything I Do Review

Everything I Do is a captivatingly ambiguous live concept album, performed solo by Zoe Ní Riordáin, featuring songs from her original album. This is an eccentric and unique performance; the…

John-Luke Roberts: Terrible Wonderful Adaptations

John-Luke Roberts returns to the Fringe after a sell-out run at last year’s festival. Surreal, unpredictable and acutely self-aware, Terrible Wonderful Adaptations is an entertaining hour of originality brought to…

‘Cheeky childishness’: Grease review

Nelson Youth Theatre Company puts on a lively rendition of a well-loved classic. Ever irreverent, it is great to see actual high school students bringing youth to Grease‘s bright array…

‘Passionate, personal, and laugh-out-loud’: Tom Rosenthal – Manhood review

Six years on from his last full Fringe show, Tom Rosenthal, star of Channel 4’s Friday Night Dinner and ITV2’s Plebs, returns to the Fringe for 2019 with a passionate,…

‘Intimate performance’: Twice Over

Twice Over is a highly intelligent piece of new writing with an excellently crafted script, dripping with a political contempt relatable to women everywhere. Acoustic guitar serenades the audience as…

‘A distressing insight into the British psyche’: The Nights review

Henry Naylor’s play provides a somewhat distressing insight into the British psyche, and exactly what it means to be ‘on the right side.’ Tasked with the mission of writing an…

Oleg Denisov: Russian Troll review

Oleg Denisov is like a river. Words, thoughts, concepts flow practically uninterrupted for approximately one hour. What is he talking about? Trolls? Yes and no. His show is not just…