Shanah Tovah Umetukah: Happy Jewish New Year!
Rosh Hashanah is a two-day observance celebrating the first and second days of the Jewish New Year. Monday 30 September 2019 signifies the first day of the year 5780 on…
Everything I Do Review
Everything I Do is a captivatingly ambiguous live concept album, performed solo by Zoe Ní Riordáin, featuring songs from her original album. This is an eccentric and unique performance; the…
John-Luke Roberts: Terrible Wonderful Adaptations
John-Luke Roberts returns to the Fringe after a sell-out run at last year’s festival. Surreal, unpredictable and acutely self-aware, Terrible Wonderful Adaptations is an entertaining hour of originality brought to…
‘Cheeky childishness’: Grease review
Nelson Youth Theatre Company puts on a lively rendition of a well-loved classic. Ever irreverent, it is great to see actual high school students bringing youth to Grease‘s bright array…
‘Passionate, personal, and laugh-out-loud’: Tom Rosenthal – Manhood review
Six years on from his last full Fringe show, Tom Rosenthal, star of Channel 4’s Friday Night Dinner and ITV2’s Plebs, returns to the Fringe for 2019 with a passionate,…
‘Intimate performance’: Twice Over
Twice Over is a highly intelligent piece of new writing with an excellently crafted script, dripping with a political contempt relatable to women everywhere. Acoustic guitar serenades the audience as…
‘A distressing insight into the British psyche’: The Nights review
Henry Naylor’s play provides a somewhat distressing insight into the British psyche, and exactly what it means to be ‘on the right side.’ Tasked with the mission of writing an…
Oleg Denisov: Russian Troll review
Oleg Denisov is like a river. Words, thoughts, concepts flow practically uninterrupted for approximately one hour. What is he talking about? Trolls? Yes and no. His show is not just…